Font Size
17px
Font
Background
Line Spacing
Episode 1 9 min read 9 0 FREE

CAMBRIDGE

N
Noel Barwell
Public-domain classic Curated by Saanvi Kapoor

To the sympathetic beholder one of the most potent charms of England lies in the singular diversity of its landscape. To him each district makes its special, its peculiar appeal. He is sensible everywhere of a real, if intangible, genius loci; and he is prone to seek the effect of some such spirit as well in the history of communities and bodies politic as in the lives of individuals. For him, then, there must needs be something of truth in the idea that much of the destinies of Oxford and Cambridge lay written upon the land at their gates.

From the hills above Oxford a man may see the whole city at his feet. Generations of men have so seen it, and have so regarded it, subjectively—as a whole. At sundown, when the varied shape of tower and dome merge in a common outline, this impression of unity becomes unforgetably intensified; and but few, probably, of those who have found there the place of their education, will have left it without a sense of having shared in some common purpose. It has ever seemed the aim of Oxford to foster uniformity; of Cambridge, however unconsciously, to encourage the opposite in thought and manners. The sympathies which unite men of a Cambridge education are not therefore less strong, but they are subtler and less capable of expression in a phrase.

Cambridge is no city of spires. She lies belted with woods in the midst of a wide plain. To south, to west, to east stretches a lowland landscape, delicately moulded, rich in pasture and corn-bearing fields. Northwards a man need ride but a few miles across the fens to hear the bells of Ely, or at twilight to see the lantern of that ancient church preserve its solitary vision of the sun. Through this broad tract of country, whose every detail is typical of all which is most beautiful in the Eastern Midlands, winds that gentlest of English rivers, the Cam. Above Cambridge, it still bears its ancient name of Granta; at Ely it is the Ouse. The scenery along its upper reaches, though small in scale, is of singular merit to eyes which are not weary of "Nature's old felicities". Near Grantchester, a lock now marks an ancient bifurcation of the river, and here the stream widens to form a deep sequestered pool, shaded by a veritable arena of tall trees. Poet as well as peasant must often have bathed here and have made it a place of meditation. It was a favourite spot with Byron, and it is still called after him.

Passing from the countryside to within the boundaries of the University itself, nothing, perhaps, will seem more remarkable to the curious observer than the absence of that hard-featured grandeur with which the architecture of the Middle Ages was so deeply impressed. Cambridge goes back eight centuries; but there remains little to remind us of those many vicissitudes of mediæval life from which neither of the Universities emerged unscathed; for with the disappearance of Feudalism, the advent of the New Learning, and the breakdown of Monasticism, Cambridge assumed a richer dress, and the fine apparel of those days becomes her still. From that string of Tudor palaces whose broad lawns and well-nurtured gardens mark the lazy passage of the Cam, to those more distant Colleges of Jesus and Emmanuel, a grave tranquillity pervades the whole. This sense of peace and of contentment, so precious to the individual mind, seems largely due to that gracious domesticity which the Tudor architect so well knew how to impart even to the meanest of his college buildings.

But to those later architects who practised here, while architecture was still an art in England, is owing that conscious, studied stateliness we now prize. The genius of Wren, which at Oxford in his tower of Christ Church with inimitable propriety seized upon and revivified for his purpose the Gothic style of architecture, as easily and as properly adapted itself to the more reticent temper of this University. The examples of his skill which may be seen at Pembroke and Emmanuel; the bridge at St. John's, built by his pupil Hawksmoor apparently from his designs; above all his great Library at Trinity, remain to show with what appreciation he met the contemplative character of the Cambridge mind, with what zest he lent his art to the commemoration of her material prosperity.

The first important period of building in Cambridge was the fourteenth century. Seven colleges were founded and provided with decent accommodation between 1324 and 1352. In the next century four more colleges were set up. While in the sixteenth century, from 1505 to 1595, another seven colleges were added to the University. Two other colleges have since arisen in Cambridge—Downing, built in 1805; and Selwyn, set up originally as a hostel in 1882, but now recognized as a "House" in all but the official sense of that expression. There are also two large and important colleges which are devoted to the higher education of women. Girton College, founded in 1867, is the oldest institution of its kind. Newnham College dates from 1871. That Cambridge should have been the first university in England to admit women to her studies and to her examinations is no more than fitting, when it is remembered that some six of her principal colleges were founded or endowed by great ladies. Members of Clare, Pembroke, Queens', Christ's, St. John's, and Sidney Sussex Colleges may, for this reason, very properly feel a certain debt to the sex.

Still more remarkable is the extent of royal benefaction in Cambridge. In Oxford only one College, Queen's, owes its existence directly to the patronage of royalty. At Cambridge there are five houses which can lay claim to the style of a royal foundation: King's, Trinity, Queens', Christ's, St. John's; and of these the first two were founded and endowed by reigning sovereigns. King's Hall—afterwards merged in Trinity—was planned by Edward II and endowed by Edward III; King's College was founded by Henry VI; and Trinity by Henry VIII, who further endowed several professorships in the University; Queen Margaret of Anjou and Elizabeth Woodville, Queen to Edward IV, are co-founders of Queens'; Lady Margaret Tudor was the foundress of Christ's and St. John's Colleges.

 But the patronage of England's monarchs did not end with the sixteenth century. Mary was a benefactor to Trinity. Queen Elizabeth attached Westminster School to that college by certain scholarships, and sent timber to and completed the chapel there. She also sent building material to Corpus Christi College. James I was always coming to Cambridge; but, like most of the Stuarts, did little for the University, unless a copy of his literary "works" be considered a benefaction. George I purchased the library of Bishop Moore of Ely and gave it to the University. He also founded the regius professorship of Modern History there; while George IV contributed to the building of what is now called the New Court at Trinity College. His brother, the Duke of Gloucester, was the first member of an English Royal family to be educated within the precincts of a university. He was of Trinity, where two portraits of him now hang. The House of Hanover has ever shown favour to Cambridge.

Prince Albert, Consort to Queen Victoria, was its Chancellor, and his late Majesty King Edward VII, having himself spent a year at each of the Universities, sent his elder son, the late lamented Duke of Clarence, to Cambridge, where he was entered at Trinity and by his father's special command "kept" in college, attended the usual lectures, and lived the ordinary life of an undergraduate nobleman. The latest member of the Royal family to enter the University is Prince Leopold of Battenberg, whose period of residence at Magdalene College has only recently terminated.

It seems never easy to explain to people unacquainted with English University life, the precise difference between the University and the College. The University, as a corporation teaching and granting degrees, is older than any college, and has its own endowments. Now, however, that the colleges have come and have established a social and domestic tone which could not exist without them, the University shows itself conscious of their value in a great many ways. The Vice-chancellor is elected from the number of Heads of Houses; the Proctors are nominated by each college in rotation, and the University expects and has now the power to exact contributions from each college towards the necessary expenses of the whole academy. Within the colleges themselves there are three grades of inmate: the Fellow, the Scholar, and the Pensioner. The first must be of Bachelor standing at the time of his election, and must shortly afterwards proceed to a higher degree. He draws his stipend from the endowments of the college. From this class are drawn the college Tutors, Lecturers, and Deans, while as many more "dons" devote their time to private study. The scholars on the foundation draw their stipends from the endowments of the college in accordance with the statutes or the terms of some special benefaction; while the term Pensioner comprises all those undergraduates who pay for everything they receive at college.

But the history of the English Universities must be considered as that of communities into whose lives colleges were introduced for a social rather than a scholastic purpose. Cambridge grew into a seat of learning during the latter half of the twelfth century, but the first College, Peterhouse, was not founded till 1284. Till then, the scholars who resorted to the place lodged where they could in the town. This was the practice at every university in Europe; and, even to-day, the Universities of Oxford, Cambridge, and Dublin afford the only exceptions to it.

Aage kya hoga? 👇
Agla Episode
Continue Reading
📋 Sab Episodes Agla

💬 Comments (0)

टिप्पणी करने के लिए लॉगिन करें

लॉगिन करें
पहली टिप्पणी करें! 🎉

CAMBRIDGE

How would you like to enjoy this episode?

📖 0 sec