1 MISS HORN FREE 2 BARBARA CATANACH FREE 3 THE MAD LAIRD FREE 4 PHEMY MAIR FREE 5 LADY FLORIMEL. FREE 6 DUNCAN MACPHAIL. FREE 7 ALEXANDER GRAHAM FREE 8 THE SWIVEL. FREE 9 THE SALMON-TROUT FREE 10 THE FUNERAL. FREE 11 THE OLD CHURCH FREE 12 THE CHURCHYARD FREE 13 THE MARQUIS OF LOSSIE. FREE 14 MEG PARTAN’S LAMP FREE 15 THE SLOPE OF THE DUNE. FREE 16 THE STORM FREE 17 THE ACCUSATION FREE 18 THE QUARREL. FREE 19 DUNCAN’S PIPES FREE 20 ADVANCES FREE 21 MEDIATION. FREE 22 WHENCE AND WHITHER? FREE 23 ARMAGEDDON FREE 24 THE FEAST FREE 25 THE NIGHT WATCH FREE 26 NOT AT CHURCH FREE 27 LORD GERNON FREE 28 A FISHER-WEDDING. FREE 29 FLORIMEL AND DUNCAN. FREE 30 THE REVIVAL. FREE 31 WANDERING STARS. FREE 32 THE SKIPPER’S CHAMBER. FREE 33 THE LIBRARY FREE 34 MILTON, AND THE BAY MARE FREE 35 KIRKBYRES FREE 36 THE BLOW FREE 37 THE CUTTER FREE 38 THE TWO DOGS FREE 39 COLONSAY CASTLE FREE 40 THE DEIL’S WINNOCK. FREE 41 THE CLOUDED SAPPHIRES. FREE 42 DUNCAN’S DISCLOSURE. FREE 43 THE WIZARD’S CHAMBER. FREE 44 THE HERMIT FREE 45 MR CAIRNS AND THE MARQUIS. FREE 46 THE BAILLIES’ BARN FREE 47 MRS STEWART’S CLAIM FREE 48 THE BAILLIES’ BARN AGAIN FREE 49 MOUNT PISGAH FREE 50 LIZZY FINDLAY FREE 51 THE LAIRD’S BURROW FREE 52 CREAM OR SCUM? FREE 53 THE SCHOOLMASTER’S COTTAGE FREE 54 ONE DAY FREE 55 THE SAME NIGHT FREE 56 SOMETHING FORGOTTEN FREE 57 THE LAIRD’S QUEST FREE 58 MALCOLM AND MRS STEWART FREE 59 AN HONEST PLOT FREE 60 THE SACRAMENT FREE 61 MISS HORN AND THE PIPER. FREE 62 THE CUTTLE FISH AND THE CRAB. FREE 63 MISS HORN AND LORD LOSSIE. FREE 64 THE LAIRD AND HIS MOTHER. FREE 65 THE LAIRD’S VISION FREE 66 THE CRY FROM THE CHAMBER FREE 67 FEET OF WOOL FREE 68 HANDS OF IRON FREE 69 THE MARQUIS AND THE SCHOOLMASTER. FREE 70 END OR BEGINNING? FREE
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Episode 1 6 min read 35 0 FREE

MISS HORN

G
George MacDonald
Public-domain classic Curated by Aanya Verma

Na, na; I hae nae feelin’s, I’m thankfu’ to say. I never kent ony guid come o’ them. They’re a terrible sicht i’ the gait.”

“Naebody ever thoucht o’ layin’ ’t to yer chairge, mem.”

“’Deed, I aye had eneuch adu to du the thing I had to du, no to say the thing ’at naebody wad du but mysel’. I hae had nae leisur’ for feelin’s an’ that,” insisted Miss Horn. But here a heavy step descending the stair just outside the room attracted her attention, and checking the flow of her speech perforce, with three ungainly strides she reached the landing.

“Watty Witherspail! Watty!” she called after the footsteps down the stair.

“Yes, mem,” answered a gruff voice from below.

“Watty, whan ye fess the bit boxie, jist pit a hemmer an’ a puckle nails i’ your pooch to men’ the hen-hoose-door. The tane maun be atten’t till as weel ’s the tither.” “The bit boxie” was the coffin of her third cousin Griselda Campbell, whose body lay in the room on her left hand as she called down the stair. Into that on her right Miss Horn now re-entered, to rejoin Mrs Mellis, the wife of the principal draper in the town, who had called ostensibly to condole with her, but really to see the corpse. “Aih! she was taen yoong!” sighed the visitor, with long-drawn tones and a shake of the head, implying that therein lay ground of complaint, at which poor mortals dared but hint.

“No that yoong,” returned Miss Horn. “She was upo’ the edge o’ aucht an’ thirty.”

“Weel, she had a sair time o’ ’t.”
“No that sair, sae far as I see—an’ wha sud ken better? She’s had a bien doon-sittin’ (sheltered quarters), and sud hae had as lang ’s I was to the fore. Na, na; it was nowther sae yoong nor yet sae sair.”

“Aih! but she was a patient cratur wi’ a’ flesh,” persisted Mrs Mellis, as if she would not willingly be foiled in the attempt to extort for the dead some syllable of acknowledgment from the lips of her late companion.

“’Deed she was that!—a wheen ower patient wi’ some. But that cam’ o’ haein mair hert nor brains. She had feelin’s gien ye like— and to spare. But I never took ower ony o’ the stock. It’s a pity she hadna the jeedgment to match, for she never misdoobted onybody eneuch. But I wat it disna maitter noo, for she’s gane whaur it’s less wantit. For ane ’at has the hairmlessness o’ the doo ’n this ill-wulled warl’, there’s a feck o’ them ’at has the wisdom o’ the serpent. An’ the serpents mak sair wark wi’ the doos—lat alane them ’at flees into the verra mouws o’ them.”

large amount.

“Weel, ye’re jist richt there,” said Mrs Mellis. “An’ as ye say, she was aye some easy to perswaud. I hae nae doobt she believed to the ver’ last he wad come back and mairry her.”
“Come back and mairry her! Wha or what div ye mean? I jist tell ye Mistress Mellis—an’ it’s weel ye’re named—gien ye daur to hint at ae word o’ sic clavers, it’s this side o’ this door o’ mine ye s’ be less acquant wi’.”

As she spoke, the hawk-eyes of Miss Horn glowed on each side of her hawk nose, which grew more and more hooked as she glared, while her neck went craning forward as if she were on the point of making a swoop on the offender. Mrs Mellis’s voice trembled with something like fear as she replied: “Gude guide ’s, Miss Horn! What hae I said to gar ye look at me sae by ordinar ’s that?”

“Said!” repeated Miss Horn, in a tone that revealed both annoyance with herself and contempt for her visitor. “There’s no a claver in a’ the countryside but ye maun fess ’t hame aneth yer oxter, as gin ’t were the prodigal afore he repentit. Ye s’ get sma thanks for sic like here. An’ her lyin’ there as she’ll lie till the jeedgment-day, puir thing!”

“I’m sure I meant no offence, Miss Horn,” said her visitor. “I thocht a’ body kent ’at she was ill aboot him.”

“Aboot wha, i’ the name o’ the father o’ lees?”

“Ow, aboot that lang-leggit doctor ’at set oot for the Ingies, an’ dee’d afore he wan across the equautor. Only fouk said he was nae mair deid nor a halvert worm, an’ wad be hame whan she was merried.”

“It’s a’ lees frae heid to fut, an’ frae hert to skin.”

“Weel, it was plain to see she dwyned awa efter he gaed, an’ never was hersel’ again—ye dinna deny that?”

“It’s a’ havers,” persisted Miss Horn, but in accents considerably softened. “She cared na mair aboot the chield nor I did mysel’. She dwyned, I grant ye, an’ he gaed awa, I grant ye; but the win’ blaws an’ the water rins, an the tane has little to du wi’ the tither.”

“Weel, weel; I’m sorry I said onything to offen’ ye, an’ I canna say mair. Wi’ yer leave, Miss Horn, I’ll jist gang an’ tak’ a last leuk at her, puir thing!”

“’Deed, ye s’ du naething o’ the kin’! I s’ lat naebody glower at her ’at wad gang an spairge sic havers aboot her, Mistress Mellis. To say ’at sic a doo as my Grizel—puir, saft-hertit, winsome thing— wad hae lookit twise at ony sic a serpent as him! Na, na, mem! Gang yer wa’s hame, an’ come back straucht frae yer prayers the morn’s mornin’. By that time she’ll be quaiet in her coffin, an’ I’ll be quaiet i’ my temper. Syne I’ll lat ye see her—maybe.—I wuss I was weel rid o’ the sicht o’ her, for I canna bide it. Lord, I canna bide it.”

These last words were uttered in a murmured aside, inaudible to Mrs Mellis, to whom, however, they did not apply, but to the dead body. She rose notwithstanding in considerable displeasure, and with a formal farewell walked from the room, casting a curious glance as she left it in the direction of that where the body lay, and descended the stairs as slowly as if on every step she deliberated whether the next would bear her weight. Miss Horn, who had followed her to the head of the stair, watched her out of sight below the landing, when she turned and walked back once more into the parlour, but with a lingering look towards the opposite room, as if she saw through the closed door what lay white on the white bed.

“It’s a God’s mercy I hae no feelin’s,” she said to herself. “To even (equal) my bonny Grizel to sic a lang kyte-clung chiel as yon! Aih, puir Grizel! She’s gane frae me like a knotless threid.”

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