Chapter 2

WHO’S WHO IN KING’S ABBOT

Before I proceed further with what I said to Caroline and what Caroline
said to me, it might be as well to give some idea of what I should
describe as our local geography. Our village, King’s Abbot, is, I
imagine, very much like any other village. Our big town is Cranchester,
nine miles away. We have a large railway station, a small post office,
and two rival “General Stores.” Able-bodied men are apt to leave the
place early in life, but we are rich in unmarried ladies and retired
military officers. Our hobbies and recreations can be summed up in the
one word, “gossip.”

There are only two houses of any importance in King’s Abbot. One
is King’s Paddock, left to Mrs. Ferrars by her late husband. The
other, Fernly Park, is owned by Roger Ackroyd. Ackroyd has always
interested me by being a man more impossibly like a country squire
than any country squire could really be. He reminds one of the
red-faced sportsmen who always appeared early in the first act of an
old-fashioned musical comedy, the setting being the village green. They
usually sang a song about going up to London. Nowadays we have revues,
and the country squire has died out of musical fashion.

Of course, Ackroyd is not really a country squire. He is an immensely
successful manufacturer of (I think) wagon wheels. He is a man of
nearly fifty years of age, rubicund of face and genial of manner.
He is hand and glove with the vicar, subscribes liberally to parish
funds (though rumor has it that he is extremely mean in personal
expenditure), encourages cricket matches, Lads’ Clubs, and Disabled
Soldiers’ Institutes. He is, in fact, the life and soul of our peaceful
village of King’s Abbot.

Now when Roger Ackroyd was a lad of twenty-one, he fell in love with,
and married, a beautiful woman some five or six years his senior. Her
name was Paton, and she was a widow with one child. The history of the
marriage was short and painful. To put it bluntly, Mrs. Ackroyd was
a dipsomaniac. She succeeded in drinking herself into her grave four
years after her marriage.

In the years that followed, Ackroyd showed no disposition to make a
second matrimonial adventure. His wife’s child by her first marriage
was only seven years old when his mother died. He is now twenty-five.
Ackroyd has always regarded him as his own son, and has brought him up
accordingly, but he has been a wild lad and a continual source of worry
and trouble to his stepfather. Nevertheless we are all very fond of
Ralph Paton in King’s Abbot. He is such a good-looking youngster for
one thing.

As I said before, we are ready enough to gossip in our village.
Everybody noticed from the first that Ackroyd and Mrs. Ferrars got on
very well together. After her husband’s death, the intimacy became
more marked. They were always seen about together, and it was freely
conjectured that at the end of her period of mourning, Mrs. Ferrars
would become Mrs. Roger Ackroyd. It was felt, indeed, that there was a
certain fitness in the thing. Roger Ackroyd’s wife had admittedly died
of drink. Ashley Ferrars had been a drunkard for many years before his
death. It was only fitting that these two victims of alcoholic excess
should make up to each other for all that they had previously endured
at the hands of their former spouses.

The Ferrars only came to live here just over a year ago, but a halo of
gossip has surrounded Ackroyd for many years past. All the time that
Ralph Paton was growing up to manhood, a series of lady housekeepers
presided over Ackroyd’s establishment, and each in turn was regarded
with lively suspicion by Caroline and her cronies. It is not too
much to say that for at least fifteen years the whole village has
confidently expected Ackroyd to marry one of his housekeepers. The last
of them, a redoubtable lady called Miss Russell, has reigned undisputed
for five years, twice as long as any of her predecessors. It is felt
that but for the advent of Mrs. Ferrars, Ackroyd could hardly have
escaped. That—and one other factor—the unexpected arrival of a widowed
sister-in-law with her daughter from Canada. Mrs. Cecil Ackroyd, widow
of Ackroyd’s ne’er-do-well younger brother, has taken up her residence
at Fernly Park, and has succeeded, according to Caroline, in putting
Miss Russell in her proper place.

I don’t know exactly what a “proper place” constitutes—it sounds chilly
and unpleasant—but I know that Miss Russell goes about with pinched
lips, and what I can only describe as an acid smile, and that she
professes the utmost sympathy for “poor Mrs. Ackroyd—dependent on the
charity of her husband’s brother. The bread of charity is so bitter, is
it not? _I_ should be quite miserable if I did not work for my living.”

I don’t know what Mrs. Cecil Ackroyd thought of the Ferrars affair when
it came on the tapis. It was clearly to her advantage that Ackroyd
should remain unmarried. She was always very charming—not to say
gushing—to Mrs. Ferrars when they met. Caroline says that proves less
than nothing.

Such have been our preoccupations in King’s Abbot for the last few
years. We have discussed Ackroyd and his affairs from every standpoint.
Mrs. Ferrars has fitted into her place in the scheme.

Now there has been a rearrangement of the kaleidoscope. From a mild
discussion of probable wedding presents, we have been jerked into the
midst of tragedy.

Revolving these and sundry other matters in my mind, I went
mechanically on my round. I had no cases of special interest to attend,
which was, perhaps, as well, for my thoughts returned again and again
to the mystery of Mrs. Ferrars’s death. Had she taken her own life?
Surely, if she had done so, she would have left some word behind to
say what she contemplated doing? Women, in my experience, if they once
reach the determination to commit suicide, usually wish to reveal the
state of mind that led to the fatal action. They covet the limelight.

When had I last seen her? Not for over a week. Her manner then had been
normal enough considering—well—considering everything.

Then I suddenly remembered that I had seen her, though not to speak
to, only yesterday. She had been walking with Ralph Paton, and I had
been surprised because I had had no idea that he was likely to be in
King’s Abbot. I thought, indeed, that he had quarreled finally with
his stepfather. Nothing had been seen of him down here for nearly six
months. They had been walking along, side by side, their heads close
together, and she had been talking very earnestly.

I think I can safely say that it was at this moment that a foreboding
of the future first swept over me. Nothing tangible as yet—but a vague
premonition of the way things were setting. That earnest _tête-à-tête_
between Ralph Paton and Mrs. Ferrars the day before struck me
disagreeably.

I was still thinking of it when I came face to face with Roger Ackroyd.

“Sheppard!” he exclaimed. “Just the man I wanted to get hold of. This
is a terrible business.”

“You’ve heard then?”

He nodded. He had felt the blow keenly, I could see. His big red cheeks
seemed to have fallen in, and he looked a positive wreck of his usual
jolly, healthy self.

“It’s worse than you know,” he said quietly. “Look here, Sheppard, I’ve
got to talk to you. Can you come back with me now?”

“Hardly. I’ve got three patients to see still, and I must be back by
twelve to see my surgery patients.”

“Then this afternoon—no, better still, dine to-night. At 7.30? Will
that suit you?”

“Yes—I can manage that all right. What’s wrong? Is it Ralph?”

I hardly knew why I said that—except, perhaps, that it had so often
been Ralph.

Ackroyd stared blankly at me as though he hardly understood. I began to
realize that there must be something very wrong indeed somewhere. I had
never seen Ackroyd so upset before.

“Ralph?” he said vaguely. “Oh! no, it’s not Ralph. Ralph’s in
London——Damn! Here’s old Miss Ganett coming. I don’t want to have to
talk to her about this ghastly business. See you to-night, Sheppard.
Seven-thirty.”

I nodded, and he hurried away, leaving me wondering. Ralph in London?
But he had certainly been in King’s Abbot the preceding afternoon. He
must have gone back to town last night or early this morning, and yet
Ackroyd’s manner had conveyed quite a different impression. He had
spoken as though Ralph had not been near the place for months.

I had no time to puzzle the matter out further. Miss Ganett was upon
me, thirsting for information. Miss Ganett has all the characteristics
of my sister Caroline, but she lacks that unerring aim in jumping to
conclusions which lends a touch of greatness to Caroline’s maneuvers.
Miss Ganett was breathless and interrogatory.

Wasn’t it sad about poor dear Mrs. Ferrars? A lot of people were saying
she had been a confirmed drug-taker for years. So wicked the way
people went about saying things. And yet, the worst of it was, there
was usually a grain of truth somewhere in these wild statements. No
smoke without fire! They were saying too that Mr. Ackroyd had found
out about it, and had broken off the engagement—because there _was_ an
engagement. She, Miss Ganett, had proof positive of that. Of course _I_
must know all about it—doctors always did—but they never tell?

And all this with a sharp beady eye on me to see how I reacted to
these suggestions. Fortunately long association with Caroline has led
me to preserve an impassive countenance, and to be ready with small
non-committal remarks.

On this occasion I congratulated Miss Ganett on not joining in
ill-natured gossip. Rather a neat counterattack, I thought. It left
her in difficulties, and before she could pull herself together, I had
passed on.

I went home thoughtful, to find several patients waiting for me in the
surgery.

I had dismissed the last of them, as I thought, and was just
contemplating a few minutes in the garden before lunch when I perceived
one more patient waiting for me. She rose and came towards me as I
stood somewhat surprised.

I don’t know why I should have been, except that there is a suggestion
of cast iron about Miss Russell, a something that is above the ills of
the flesh.

Ackroyd’s housekeeper is a tall woman, handsome but forbidding in
appearance. She has a stern eye, and lips that shut tightly, and I feel
that if I were an under housemaid or a kitchenmaid I should run for my
life whenever I heard her coming.

“Good morning, Dr. Sheppard,” said Miss Russell. “I should be much
obliged if you would take a look at my knee.”

I took a look, but, truth to tell, I was very little wiser when I had
done so. Miss Russell’s account of vague pains was so unconvincing that
with a woman of less integrity of character I should have suspected a
trumped-up tale. It did cross my mind for one moment that Miss Russell
might have deliberately invented this affection of the knee in order
to pump me on the subject of Mrs. Ferrars’s death, but I soon saw that
there, at least, I had misjudged her. She made a brief reference to the
tragedy, nothing more. Yet she certainly seemed disposed to linger and
chat.

“Well, thank you very much for this bottle of liniment, doctor,” she
said at last. “Not that I believe it will do the least good.”

I didn’t think it would either, but I protested in duty bound. After
all, it couldn’t do any harm, and one must stick up for the tools of
one’s trade.

“I don’t believe in all these drugs,” said Miss Russell, her eyes
sweeping over my array of bottles disparagingly. “Drugs do a lot of
harm. Look at the cocaine habit.”

“Well, as far as that goes——”

“It’s very prevalent in high society.”

I’m sure Miss Russell knows far more about high society than I do. I
didn’t attempt to argue with her.

“Just tell me this, doctor,” said Miss Russell. “Suppose you are really
a slave of the drug habit. Is there any cure?”

One cannot answer a question like that offhand. I gave her a short
lecture on the subject, and she listened with close attention. I still
suspected her of seeking information about Mrs. Ferrars.

“Now, veronal, for instance——” I proceeded.

But, strangely enough, she didn’t seem interested in veronal. Instead
she changed the subject, and asked me if it was true that there were
certain poisons so rare as to baffle detection.

“Ah!” I said. “You’ve been reading detective stories.”

She admitted that she had.

“The essence of a detective story,” I said, “is to have a rare
poison—if possible something from South America, that nobody has ever
heard of—something that one obscure tribe of savages use to poison
their arrows with. Death is instantaneous, and Western science is
powerless to detect it. That is the kind of thing you mean?”

“Yes. Is there really such a thing?”

I shook my head regretfully.

“I’m afraid there isn’t. There’s _curare_, of course.”

I told her a good deal about curare, but she seemed to have lost
interest once more. She asked me if I had any in my poison cupboard,
and when I replied in the negative I fancy I fell in her estimation.

She said she must be getting back, and I saw her out at the surgery
door just as the luncheon gong went.

I should never have suspected Miss Russell of a fondness for detective
stories. It pleases me very much to think of her stepping out of the
housekeeper’s room to rebuke a delinquent housemaid, and then returning
to a comfortable perusal of _The Mystery of the Seventh Death_, or
something of the kind.